NEON is pleased to present Lynda Benglis: In the Realm of the Senses at the Museum of Cycladic Art, Athens. The guest curator is the distinguished writer, critic and art historian, Dr. David Anfam.
Devoted to Lynda Benglisโs highly original and prolific output in diverse media, this is the artistโs first solo museum exhibition in a country that has played a major role in her life and vision: Greece. Spanning half a century from 1969 onwards, the select survey of thirty-six sculptures โ amounting to a concise retrospective โ will occupy the intimate spaces of the Stathatos Mansion, displaying a wide spectrum of Benglisโs materials, imagery and ideas.
Among the media are wax, bronze, aluminium, marble, latex, ceramics and glass. The themes include โfallen paintingsโ (the iconic Baby Contraband), โknotsโ, โlagniappesโ, โtorsosโ, โpleatsโ and โfountainsโ. Visual conversations arise between textures (liquid to waxy and metallic), colours (San Marcosโs monochrome bronzy sheen versus the multi-hued papers made over wire) and orientation (horizontal flow opposing the totemic vertical beeswax pieces). The Mediterranean setting ensures that radiance and a lapidary sensuousness will pervade the whole. Likewise, the selection also stresses Benglisโs many Greek allusions, especially to the countryโs ancient statuary โ epitomized by how Fancy Work (1979) echoes the swirling drapery of the Winged Victory of Samothrace (c.220-190 BCE). Indeed, Greece has been a constant muse for Benglisโs expansive imagination, which prizes the โfrozen gestureโ.
In the Realm of the Senses celebrates a maverick artist who began as a female pioneer of Post-Minimalism in the late 1960s and still creates with exuberance in the twenty-first century. Describing Benglisโs first wax reliefs as early as 1968, the New York gallerist and critic Klaus Kertess noted that โskin, pull, sensuousnessโ ranked among her primary concerns. Such intense corporeal sensations extend to the present โ as Benglisโs sculpture constantly shifts between fixity and movement, nature and flesh, with both grace and provocative boldness.
Since the 1960s Lynda Benglis (b. 1941, Lake Charles, Louisiana) has received widespread critical acclaim for her striking ideas projected into three dimensions. Her sculptures are simultaneously playful and visceral, organic and abstract. Benglis began her career on the cusp of Post-Minimalism, pushing the traditions of painting and sculpture into new territory. Her art encompasses diverse materials: from beeswax, latex and polyurethane foam to later innovative work with plaster, gold, vaporized metals, glass, ceramics and paper. Throughout, Benglis has maintained a fascination with process. Flowing forms, sensual surfaces, vivid hues and erotic elements pervade her abstract yet provocative treatment of the body and nature.
Selected institutional solo shows include: Lynda Benglis: Face Off, Kistefos-Museet, Jevnaker, Norway (2018); Lynda Benglis: Bodies, Matter and Soul, International Museum of the Baroque, Puebla (2016/2017); Lynda Benglis, Aspen Art Museum (2016); Lynda Benglis: Water Sources, Storm King Art Center, Mountainville, NY (2015); Lynda Benglis, The Hepworth Wakefield, West Yorkshire (2015); Lynda Benglis: Figures, The SCAD Museum of Art, Savannah (2012) and a major traveling retrospective organized by the Irish Museum of Modern Art, Dublin (2009). Selected public collections include: The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Dallas Museum of Art; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, Los Angeles; The Albright-Knox Art Gallery, Buffalo; Tate, London; National Gallery of Victoria, Melbourne; Hokkaido Museum of Art, Japan.
Among many awards, Benglis has received a Guggenheim Fellowship and two National Endowment for the Arts grants. This year The New York Times wrote that Benglis had โredefined sculpture in the 1960sโ.
David Anfam is the Managing Director of Art Exploration Consultancy Ltd, London, as well as Senior Consulting Curator at the Clyfford Still Museum, Denver. Dr. Anfamโs books include Abstract Expressionism (Thames & Hudson, 1990); Mark Rothko: The Works on Canvas โ A Catalogue Raisonneฬ (Yale University Press, 1998) and Anish Kapoor (Phaidon Press, 2009). Since 1990 Anfam has contributed essays to more than 70 exhibition catalogues, including Edward Hopper (Tate Modern, 2004), David Smith: A Centennial (Solomon R. Guggenheim Museum, New York, 2006) and Pier Paolo Calzolari (White Cube, London, 2018). Anfam has lectured internationally at such institutions as The Museum of Modern Art, New York; the State Hermitage Museum, St. Petersburg; and the Gemaฬldegalerie, Staatliche Museen zu Berlin. Most recently, Anfam curated Abstract Expressionism (Royal Academy of Arts. London, 2016-17) โ the largest survey of its kind ever held in Europe.
NEON is a nonprofit organization that works to bring contemporary culture closer to everyone. It is committed to broadening the appreciation, understanding, and creation of contemporary art in Greece and to the firm belief that this is a key tool for growth and development. NEON, founded in 2013 by collector and entrepreneur Dimitris Daskalopoulos, breaks with the convention that limits the contemporary art foundation of a collector to a single place.
Exhibition Opening
21 November 2019, 19:00
Exhibition Duration
22 November 2019 โ 15 March 2020
ฮpening hours
Monday – Wednesday – Friday – Saturday: 10:00 โ 17:00
Thursday: 10:00 โ 20:00
Sunday: 11:00 โ 17:00
Tuesday: closed
Free Guided tours
Wednesday: 12:00 โ 13:00
Thursday 18:30 โ 19:30
(registration required via neon.org.gr)
